Soundtrack, These Days by Jackson Browne, go to “original post” press play and listen while reading—
Don’t ever let anyone tell you how to write poetry, not a teacher, not a book, a professor, a famous poet or some hip instructional manual touting “Poetry Made Easy”. Poetry is anything but easy, it’s floating to the surface in a bubble while praying that the pressure from the outside doesn’t become stronger than the pressure from within, it’s a tenuous balance——-in that stillness you’ll hear every creak and groan as you strain to hold yourself together….
There’s things deep down there that are bigger and wilder than you could ever possibly imagine. Its the stuff your conscious mind keeps chained and shackled and out of the reach of that prison we’ve come to accept as reality. There are frightening things down there—-bizarre things, sea monsters, demons, the eight armed Kracken reaching out for you, mountains of madness, deserts of despair, volcanoes spewing red rivers of woe. You may have convinced yourself that you’re in control, but mister let me tell ya, those reins are loose and easily snapped.
I dare ya to hold your breath and dive down into that murky deep. No one can stay down there for long—-some become entangled, confuse up with down—— they lose their way, they panic with eyes bulging, lungs bursting, blood streaming from ringing ears—- solitarily drowning in a sea of conceit. Down there you’ll come to know things that the faux world above could never teach you. But there’s a high price for trespassing into those depths——— “Enter at your own risk, Dangerous rip tides, No life guard on duty”.
Be advised: if ya poke around down there long enough you may bump into who you thought you were, maybe even a god or two—-and if you’r lucky, a kind familiar voice….These things that germinate in the dark are ironically impossible to see in the light—-it’s like the dark matter that comprises the majority of our universe—-these things are difficult to understand for simple creatures such as us, who are accustomed to composing reality from our puny five senses.
Some are contented to sit and stare at their reflection on the surface. But, if you’re a poet, then you need to take that perilous plunge. Leave behind your holy books, shots of whiskey, rosary, zen bells, mantras and slide rules, they have no power down here, in fact they’ll only camouflage your destiny.
Don’t let anyone tell you how to write poetry. Everyone has their own unique journey, you must find your own Dharma, your own Tao. The funny thing is—-as soon as you stop trying, it will flow through you——. Be still in that tiny bubble of yours, take the road less traveled, refuse to go gently into that dark night——find what you love and let it kill you, and burn, burn, burn, like a fabulous yellow roman candle that explodes like spiders across the stars———Pop*******
When I was young I met a girl, she said she’d take care of me, but she couldn’t even take care of herself—— She burned Top Ramen, bled pink on my favorite button down shirt in the wash and was always telling me to get a “real job”. When my band broke up things got even worse. We stopped forgiving one another. We stopped holding hands. We’d lay in bed back to back, facing those bare opposing walls. She taught me how to say things I didn’t mean. In the darkness it’s easy to confuse how things are with the way things once were—-or, with the way things could have been. Once we realized that we were pretending, this is when the white lies lost their power to hold things together.
The stuff that drew us together——music, laughter, defying a world of clocks, money and the wanting of more—-came to be the things that pulled us apart. I went home one day and she was gone. At first I couldn’t breathe. She took her stereo and I was alone in my silence. For the first time I was on my own and alone, no family, no school, no job, just me. Life made no sense, everything was hard and cold—-I no longer had anyone to look after me. No footsteps falling in the other rooms. I suppose she took the cat, knowing that I’d forget to feed it.
Then I met a girl and I told her that I’d take care of her, but she soon discovered that I couldn’t even take care of myself. I tried to rearrange everything, but I ended up making a mess of things. I pawned my guitar and sold my keyboard. Something had ransacked my soul and smashed all the things I valued. I never wanted to take care of anyone ever again. It’s too much trouble. I taught her how to say “Fuck Off”. I laughed when she first said it to me. It sounded strange coming from her, but she was a quick study.
Love is like believing in aliens, it’s a crazy idea, but its better than feeling we’re all alone in this big universe. Maybe love is having someone to look after—-someone to take out the garbage and mow the lawn, someone to make your supper and mend your shirts. You can’t see love, you can only see its shadows. For me, love is a practice, a discipline. It requires patience, attention, and most importantly compassion. I’m still learning these ways. I do know this, spooning with someone is better than staring at your blank walls.
And so we give up on dreams—-and sometimes even on love—-just one trifling morsel at a time. We trade them away for security, so as to not appear the fool, to be accepted, to fit in. Love is not being accepted, nor is life about fitting in—no, it’s being drenched in petrel and then set afire.
As far as anyone knows, we are only given this one life—and that’s what makes it precious—–we are all perishable—- one moment at a time—- Keep this in mind, as I implore you to ignite your dreams and to set a hopeless love ablaze. Do this before it’s to late, do this before they suffocate beneath civil manners and polite obligations. Make no mistake, nothing is forever. There is no one here to protect us, but maybe the threadbare scraps of secondhand truths. I pray for faith,—-such a sublime oxymoron.
Oh my god, where does hope go, inspiration withers with age and now we find ourselves, no longer so very brave.
Out here there’s a black and whiteness to it all. Slow gray clouds ponder their descension and final farewell to winter’s skies. They’ve come here to die, to rain down on the brownish sand and yellow sagebrush, because becoming a part of something new and different is the way of dyeing and rebirth. Being a part of everything, belonging to nothing—-I know how this feels. We don’t lose our way, we just move on to other things—a change in direction, a change in the relationship to other people, places and time. The sandstone cliffs look on with tired eyes, they conceal a millennium of wisdom stored in their souls. Even mute stones have souls that stir, and if you’d of taken the time to become aquatinted with them, you too might understand these most uncommon things.
Out here, is where I come to do my thinking, to be cut out of myself, to be torn up and pasted back together——and when the pieces no longer fit, it is then I know that I’m moving on, I am letting go of my cloud-ness. I never know what I may become out here, maybe a raven, a coyote or just alone—-With only myself watching myself, I have nothing here to hide….I can become whatever or whoever I choose—
To some I only exist in my relation to them. A brother, a father, a friend, a sinner—-a saint? And what am I to you? Being cast into your statue of stone is so limiting, so confining. These are the things I consider when I’m out here—-ya see, out here footprints turn into paw prints or vanish all together—-as if carried away on the wing of a hawk.
It’s going to be a long Friday, snowy and white, listening to my radio, drinking my coffee, carrying on conversations with myself, sharing stories with my Black Lab named Chase.
“Ya ever heard the one about the man who thought he could fly”—–And the dog said “No”.
I climb on his back as we take to the sky, letting the thermals carry us away….
My soul has grown to frayed and warn to carry me comfortably—-pieces of me seep from its cracked walls and leak onto the floor, I’d need a soul-horn to squeeze back into that old life—time moves us on—. With corpses come flowers, freshly cut and ready to die—. For some, love becomes only a word, four letters, uttered with the sincerity of a grocery clerks “have a nice day”. What a trite and meaningless salutation, What’s my other option?—Have a bad day? In-spite of my failing words and their treacherous rabbit holes, I do still love you—I have no other option====
I think the two of us should take the day off, walk around in faded wrinkled pajamas, sitting face to face, two miss matched coffee cups, all sheepish grins and tousled bed-heads, two unclaimed valentines, no return addresses, awkwardly belonging to one another, hearts locked on spin cycle, outcasts in a world consumed by trends and fads, our kind of love never pales or goes out of style, sitting beside one another watching the sky snow, taking it all in–holding hands in silence, best friends communicating with drowsy morning eyes-
We’ll watch “Harold and Maude” and dig Cat Stevens, we can bake hot gooey brownies and wiggle our toes as we wash-em down with ice cold milk, and then take a vanilla scented bubble bath—candles flicker, bubbles burst—-we’re the lucky ones—–knowing that nothing, or no one, can take these moments from us—all else is broken glass, flashing in the sun, glimmering and shattered, inconsequential-
My music and spoken work projects are available at cdbaby.com, Artist Victor Uriz My novel and book of prose are available at amazon.com, Author Victor Uriz
What’s success—What is a life well spent? When does a dream become so laden by time that it’s easier to set it aside, to just quietly lay it down, to allow it to cease to exist—-to concede that it’s no longer a part of who you are. Is this how we begin to lose our way, to forget who we are—or worse yet, give up on what we were meant to be—
I mostly remember her smile, her laugh, the way she walked next to me, excitedly talking as we made our way across the best part of the morning, moving together, stride for stride, word for word—-heart to heart—-afire with life, fueled by the strongest drug of all—that unexplainable euphoric feeling that comes with knowing you are understood. Love is an elixir that combines understanding with compassion—where there is dharma, there is no separateness.
At night, we’d lay in our bed talking, staring up into the darkness, and when it got real late and the room was totally cloaked in blackness, it was here—yes, here is where the magic would take hold. We weren’t speaking to one another, but instead, we were entering each others thoughts, inhabiting one another’s souls, sharing ideas and feeling telepathically, in a silent confessional—-the conversations were strung together more by the purity of emotion than the imperfection of words. Just like a tightly written poem or a an austere prayer, the words cracked open, and from their insides oozed our soul goo. I know this must sound funny, because it is strange—but oh so beautiful and rare—-all things of beauty are fragile and temporary—but we didn’t know this at the time, so we carried on until another jealous sun rose.
I’ve forgotten the words to that old song we use to sing—I’d find myself half humming and half singing it in a crippled attempt to get through to its end, or maybe it was in the hopes that I might resurrect something left behind within its faded melody—I’ve done my best to stay true to its tune , but the words have grown faint.
I’d call, but numbers change, email accounts close—-but mostly, I keep at a safe distance, because some memories are like impressionistic paintings—-where you can see what you choose, while overlooking all the tiny flaws and betrayed truths.
Sometimes I force myself to meditate on such things, and I will my thoughts out into a porous sky, focusing all my energy into a small shiny ball. If ever you awake in the middle of a dark night and feel a power moving through your veins, crawling under your skin, breathing on your neck, don’t open your eyes—-don’t speak, don’t even move—-just be still, and in that moment feel yourself open up—
a crazed woman cut my heart out of my chest, she then carelessly disassembled it and put it back together all wrong, it was slippery with blood and hard to handle, so she shoved it back inside me where the organ for caring and giving a shit use to be…..these days I compulsively check my pulse in search of a rhythm, but all I feel is an occasional spastic fluttering within my chest, like a bird beating its wings against hurricane winds—and when it gets dark, it stops all together—
come close and put your ear against my chest—-now be still and listen as I tell you how it is for me, at night those blues come stalking me, they peer through my blinds like some nefarious wide-eyed peeping Tom, leaving foggy predatory breath on the window pane——–the bleakness of it all tramples across the nothingness of another specter ridden midnight—I can feel my heart go still, like an unworn love left hanging in someones dusty closet, an addiction traded against a corrupted souls collateral, broken people warehoused like damaged goods, young kids with no fire in their eyes, an old guy going in circles on the metro for an as-semblance of company, the scent of morning rain on dirty pavement, damp leaves smoldering in the drizzle, the stench of alley piss—time is blurring by like a whirl-wind whooshing past my car window on a Sunday drive to nowhere in-particular—-once again I’m tired of me and how I get things all twisted up, I’m left staring into the futility of a gray weather beaten morning, realizing I’m no longer running from something, nor running to something—-I’m slowly being crushed under the ache that comes with knowing that there’s got to be something better than this—-someplace—–somewhere—-cause this life is way to long to be miserable and far to short to be boring—it’s time I set that lil caged bird free—
say something, I’m giving up on you—-
there’s too much pain in the world to believe I’m immune to it, or can hide from it—–or selfishly fear that I’m the only one being consumed by it—that would be a righteous sadness, the kind of sadness that beckons the lugubrious to replay a heartbreak love-song over and over again. Real sadness has no soundtrack, no words, no explanation—-it’s like tree sap that mysteriously shows up on your hands and can’t be washed off—-
people always ask me the same question “Was that story you told true or made-up?” To be perfectly honest, I’m not sure anymore. Most of the stuff I once thought was true, ends up being a lie or an illusion, and what I thought was fiction (made-up) is just an alternative version of truth or reality that I’ve failed to grasp. I’ve come to believe that what’s true, and what’s made up, is a predilection reserved for the teller of tales.
but I do know this, one day that little bird trapped inside my chest will be set free—-
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TEN AMAZING STEPS TO BECOMING A SWELL WRITER
1.If you are going to be a writer, have something to fucking say. Character development is nice, detail to scene description is beneficial, smart dialogue is helpful, appropriate punctation and grammar a plus, but having a story worth telling is the most important element of storytelling—Start and end your project with that in mind!
2. Not only have something to say, but devise a way to say it that is insightful, interesting and compelling. Forget about beginning, middle and end. Every line must be an integral piece of what contributes to the greater whole. If you’re all in, if you’re writing from a place of authenticity—then every page, every paragraph, every sentence and each word needs to be painfully distilled down to its purest means of expression. Once written, it should sound as if it has always existed, like mosquitos, the moon and a thousand sad truths —
3.Write about what you know, and know about what you write. All good writing is personal, confessional and honest. Be authentic, be original, allow yourself to be shamelessly naked—-you must develop and know the sound of your own voice—-Go to those forbidden places that make you feel uncomfortable and exposed, it is there you will find the keys to the kingdom—this is where your true voice lives.
4. The most important person in your audience will aways be you. If your writing becomes tawdry, trite or boring, then write it again, and again and again—-fill the God Damn Grand-Canyon with wadded up pieces of shitty writing—- never fall so deeply in love with your own writing that you can’t tell the piss from top shelf scotch (I have found that piss is saltier tasting).
5. Don’t leave anything left in the pen, say it all, say it with stark unabashed honestly, don’t hold back—write till your soul bleeds ink.
6. Don’t start with a story outline, format or a preconceived structured layout. Don’t tell the story, let the story tell itself (Zen, baby!)—filling up note pads with secret random notes is a valuable practice—you never know where or when a good thought may bubble to the surface from the depths of your collective sub-consciousness—to know that you don’t know, is to know that you know—-Do you know???
7. Study many different styles of writing but copy none. The world does not need another Hemingway, Daniel Steele, Fitzgerald or Steven King. Never forget this—learning to be a good writer is like learning to eat soup with chopsticks—-it’s a fatiguing exercise intended to teach patience. A good writer stays hungry.
8. Find inspirational music to listen to while writing. Music requires no words to reach or affect you. Regardless of what you’re meaning to say, strive to replace your imbecilic words with music— if your prose fail to sing—-then do not commit them to a final draft.
9. Good writing doesn’t come to you, it comes through you—let go of your “self”, reject your ego, stop thinking about thinking, stop thinking about writing, and say what needs to be said. Write down the words as you hear them, clean up the details at a later time. Stay open, stay awake, keep your senses at a fevered pitch, listen to all the disembodied voices blathering in your crazy head, but remember that the quiet ones speak the greatest truths—Be still—if nothing happens, then go do your laundry or something productive—Sometimes you have to pull up your line and rebait the hook.
10. A good writer will leave the reader changed or altered after digesting the content of the story. Once the reader sets the book down, they must feel something—-anything—– pissed, flabbergasted, happy, offended, a-gasped, longing, laughing, bamboozled, crying, embarrassed, tickled, horny, hurt, revealed, inspired, filthy, guilty, cocksure, shamed, holy, dumbfounded, excited, exposed, gritty, mortified, rambunctious—but most importantly, the reader should be unexplainably transported to a righteous place where they are allowed to catch a glimpse into their own soulfulness—–and believe me, that ain’t easy to do!
Secret Bonus Tip
Tenacity is the secret to your success. Tenacity will take you further than natural ability, motivation, good connections, good intentions, skill, education, talent, genetics or dumb luck. Never, never, never, never—-ever give up on the hope of reaching your dreams—-Tenacity gives hope wings!!!
Scoring Your Writing Prowess
Points will be deducted from your “wanna be a writer score” If—–
you wear a beatnik beret, you blather on in esoteric multisyllabicnon-sensible rants, sip soy lattes, cosmopolitans or smoke a pipe, chain smoke or have a Marijuana Medical Card, sport a goatee or soul patch, you speak in metaphors no one understands, you’re a vegan, you attend or teach Haiku workshops, you always have a bottled water and smart phone within reach, you have a degree in English, Journalism or Communications, your favorite Beatle is Paul, you play golf, you have a cat named Zen.
Points will be added to your “wanna be a writer score” if—–
you’ve hoboed on a train, you have a receipt for chili beans, beef stew or anything containing spam, you either have no cell phone and if you do, it’s a pay as you go with a cracked face plate and numbers that stick, beer is at the top of your food group pyramid, your car stereo is worth more than you car, you dig jazz (add five points if you can play jazz), your favorite Beatle is John, you know how to shoot pool, you have a dog named Lucky.
The Phases Of Writing (An exercise in self destruction)
1. Fame makes great writers drunks and madmen
2. Fame makes good writers self conscious and reclusive
3. Fame makes okay (commercial) writers rich and predicable
4. Anonymity makes horrible writers drunks and madmen.
Be advised, being a drunk and a madman does not make you a great
writer—but sadly, it often comes with the territory, see rule #1 and #4.—
If you don’t find any of this shit helpful, then go live your life and write about what you hear, see and feel, then have a taco—-
Helpful Hints :
“You don’t write because you want to say something, you write because you have something to say.” F. Scott Fitzgerald
“Talent is helpful in writing, but guts are absolutely necessary.” Jessamyn West
“Try to make the funny stuff sound sad and the sad stuff sound funny—” V Uriz
Feel free to substitute your word of choice in place of the word “funny”—depending on your mood—
When I was a kid we’d buy paper kites, they were relatively resilient but never intended to last—-their flimsy construction gave them the agility to fly but also made them vulnerable to a host of possible mishaps—they were as precious as they were mortal. A poorly tied tether knot and all may be lost, or should an unexpected gust of wind blow her into branches, then she’s snared and marooned, left there forever dangling from the sky like a monument to someones carelessness. I brought myself here, just like you did—-we’re all just holding on by a string, so I refuse to feel sorry for anybody—nobody!—except for maybe one of those kids with bald heads who haven’t been given much of a chance to survive the treatment, let alone the disease—I save my compassion for these cases.
Those mopey fuckers at the grocery stores asking me for spare change or the young dude with pleading eyes and his cardboard sign perched at the last stoplight before the climb to the freeway onramp, they piss me off—-they don’t seem to realize that we all have to make our own wind, running uphill like hell, never looking back until the string feels taunt, until god decides to lightly blow his breath on you, lifting your body above the ground into the void of space and torched stars, and below spins that beautiful blue ball of water and land—here in the ether, even the coldest of hearts will thaw.
I hand a crinkled dollar to a crumpled man, and for a solemn instance we are connected, we occupy the same moment, share the same world—-then without speaking I turn and walk away and return to my world—-as he returns to his—–
Kindest or cruelty—–which way will the wind blow
The older I get, the less I look into the mirror and the longer I stare at my hands
It’s mid October and I’ve missed that brief one or two-day period when the Aspen leaves are at the brink of losing their last flash of Autumn’s dying beauty—-even death has its display of pastel-ed glory, and then the wind sweeps all vanity away. I am left with only stark branches like the bones of summer to carry me through the skeleton of another season passed. At my feet the fallen leaves stir as I make my annual hike around Spooner lake. This is the month of quiet contemplation and a time to face ones marauding ghosts that emerge from the shadows and are carried on falls chilly winds—-
Every season seems to have its emotional and psychological landscape. I find myself missing spring in autumn and the freshness of winter in the heat of summer, I’m a discontented soul, always wanting what’s just out of my reach. Here, in the Sierra Nevada Mountains, each of the four seasons have dominion over their portion of the calendar. The seeds have been planted and the harvest is in, the metaphor of reaping what we sow is played out—–the nonbelievers burn off their barren fields. A big orange moon reigns in the sky reminding me that the masks of Halloween will soon be donned. I think of all my old friends and how time has changed our appearance, yet I know that their souls are the deep well from which I draw my sustenance. A good song will always be a good song and the steps of a shared dance will never grow old, nor be forgotten.
I keep my hands warm, carrying them deep in my pockets. I’m not sure where I am on this leaf strewn path, I’ve always been more lost then found. A map and compass possess no value when my destination is between each footstep. A low lying fog fingers its way through the tall pines, the branches sway and I listen to their whispering voices. I think of my family and friends and mumble a prayer for the goodness of all. A chicory squirrel stares at me and then giggles as he scurries across my trail—-he knows God’s plan better than I.
I take a seat on a log and plug my earphones into my iPod. J. D. Souther comes on singing, “Silver Blue”. The melody is a perfect sound track to this mystical vista of lake, aspens, pines and fog—what a sublime speck in time.
In all the chaos and madness of life, it can feel at times that people and events have no rhyme or reason, but in retrospect (when looking back after the fact) things come into focus and have a purpose and a reason for happening, maybe that’s faith—believing that the future will workout the way it is intended and that the things in the past have occurred for a greater purpose—-this is how I remember my Mom looking at life. She always saw the positive in all things, even when things were not going as planned—-
I pull a smashed sandwich from my backpack and have a bite. I take a sip of peach tea and have a laugh at myself—
Tomorrow I’ll head south to Hope Valley and wander through those stands of Aspens—-all things change at their own pace.
“Autumn is a second spring when every leaf is a flower.” Albert Camus
Rants, Raves and Random Thoughts 