A spoken word piece.
Prose
To Be Alive
Soundtrack “Whatever It Is” Zach Brown
Whatever your age is
It doesn’t matter
You think you’ve grown up
but there’s still an eight year old inside you
still a 14 year old, an eighteen year old
A twenty something, thirty something
and so on and so forth
All these remnants are still
pieces buried within
ones personhood
Even after surviving all these life milestones
of age and time
The specter of these past characters
still rumble about
within you, they inhabit your
subconscious, slipping out
when least expected
Reach back and find
the little pieces of yourself
that live behind
the mirror, beneath the veneer of adulthood
Cry like a baby
stomp your feet
Scream “no” to everyone who
wants you to obey their rules
Play like its the last day of summer
Make love as if it’s the first time you’ve
ever felt the breath or skin of another
Lie, call in sick, sleep in
and then go to the beach
Take the long way home
because the radio is
playing a string of songs that
fit like a perfect soundtrack
to the swirling scenery passing
by your window
And it’s good to be alive
and you know it, as it’s
happening
Keep on driving, miss your turn off
go to the woods and build a bonfire
sing songs, Skinny dip
hike unmarked trails
Call someone you miss
and will always miss
call and let them know
you’re thinking of them
Shove her up against the wall
and watch her look of surprise turn to desire
all that uncontrolled passion
that ache to be touched
melting between thighs and sighs
and muffled screams
Skip dinner and eat
chocolate cake with your hands
foster your imagination
All of life is a fantasy
make it up
as you go along
Never surrender your incurable curiosity
want everything, at once
all the time
be impetuous
uninhibited
authentic
Ah, yes—-to be alive
what an experience
what an adventure
Suicide 101—-Waiting On The Sun To Rise
Many years ago I did my college internship at a Suicide Prevention Hot Line. I went through a basic orientation and a training session prior to beginning my first all night solo shift. I was young, confident and fresh out of the gate—-Talking someone out of suicide ought to be a breeze. I quickly learned (after my first 3:00 am phone call) that I was in over my head. I immediately realized that the voice on the other end of the line belonged to a living breathing person who was suffering. Their pain was beyond my life experience. To this day, I’m not sure if I really helped anyone. I tried my best to be an empathetic and patient listener. I bore witness to unrestrained sobbing and screams of horror cried out into the phone’s receiver. There were stories of godless depression and anxiety beyond ones ability to remain fortified.
I had no rehearsed script, no prescription pad or the luxury of providing a client with a series of on going counseling sessions. I had just that moment to “try and reach” the person on the other end of the line. I did my best to listen attentively and to interject support. When appropriate, I’d provide input or referrals to community services. In spite of my lack of training and limited life experience, there we were, in the middle of the night fumbling with ideas of why it’s worth holding on for one more moment or for one more day.
And sometimes, by holding on for one moment longer than you’d think is possible, the suffering would pass——at least for a while or until the sun would rise once again.
A Child’s Rain
Soundtrack “Bird On A Wire” by Joe Bonamassa.
I run my hand along the rough red brick wall. If you could touch truth, this is what it would feel like, if you could wear yesterday, it would fit like this. Brick buildings never age, unlike most things, they never grow old, they are the silent sentinels keeping watch at eternities gate. Time is in the raindrop that erodes away the mightiest of mountains one patient drop at a time—-We never seem to notice the passage of time until one day the mountain is gone.
Brick and mortar merges man’s creative life-force with natures unfaltering power to endure. ——Such walls keep some things out and other things in——-it all depends on what side of the wall you find yourself falling or standing——
I envision all of those perfect rust colored bricks meticulously hand laid, so even, so artfully composed——-the craftsman’s sweat droplets mixed in the slurry and forever embedded within the cured cement—–blood, sweat and tears, like long lost fossils hidden between the layers of time.
Long after another generation’s life-story has been told and then consigned to oblivion, these edifices remain as statues to a forgotten past—— bricks like memories, one stacked upon the other—— one timeless moment entombed within a dying eternity.————-Tell me this? Why the brevity of life, we’re here then gone, everything and everyone just passing through, my grip on the ephemeral is slipping, the impermanence of it all has me chasing tomorrows horizon on this lonely highway.
Skyscrapers are impressive because of their hight. But there is no romance in their architecture. Their birth pushed out into loveless cement forms and fitted together with the support of I-beams. The spaces we live in define our culture. Our cities are gray, cold and crowded with despair, boxes within boxes, where men while away their lives in cubicles, sucking recirculated air, no songbirds cooing outside the tinted windows, only the ever present monotonous hum of air conditioners—–there’s no place to hide from those harsh florissant lights, the computer screen is our window to the world, the feel of cool damp grass no longer beneath our feet——it’s a landscape of migraines, mind-games and lost virtues. All the symmetrical lines make the few remaining trees and plants seem out of place.
All the old buildings in my hometown are constructed of stubborn bricks. There is grandeur in those old buildings, the church with its pious stained-glass windows, the honorable courthouse and contemplative library. These buildings of stone reminds us of our need for safety, shelter and community. I feel holy when standing in the ancient brick church with it’s towering steeple—-it pierces the heavens like a hypodermic needle, injecting god’s blue sky with silent prayers.
The first time I saw rain, I asked my mother what it was, this water falling from the sky. And she said it’s rain. I thought a child’s thought, how wondrous, this thing called rain, water falling from the sky cleansing the streets and sweetly scenting the world. Who’d of thought up such a phenomenal thing?
The rain made all the old red bricks appear new again. Everyone was in a hurry to escape the rain, but I stayed outside to enjoy this spectacle of water falling from the sky. I stood there with hands outstretched, head tilted back, mouth open, tasting rain, feeling rain.
I once asked my mother about the tiny specks of light twinkling in the night sky. She said they are stars and that there are billions and billions of them—- they are like our sun, but millions of light years away. She said some of these stars have already burned themselves out and we are looking at light from their past. I thought a child’s thought, these things called stars are even more mysterious than rain. I sat on the porch staring up at the Milky Way galaxy—–Rain and stars, how unbelievable yet beautiful.
Maybe this is what Buddha contemplated while meditating under his Bodie Tree. At peace with oneself and the universe, walking the middle path of love between the yen and the yang——intertwined with everything yet separate…….Insignificant and small, yet omnipotent and omniscient———wandering between the birth and death of each moment———Nirvana——-
The Gravity Of Lust
You’d have to be a man to misunderstand woman the way men do. Women are complex and mysterious. We’re stymied by their anatomy, confounded by their emotions, frightened by their will to love or to hate within the span of a nano second.
We fumble and fondle them like a Rubik’s Cube in the hands of a chimpanzee. Their legs, their breasts—— the way they disturb space and time, dishing out their gravity with our lust. But like their physiology, much is hidden, out of sight and enigmatic. Men are like their genitals, what you see is what you get.
Victor
Soundtrack “If I Go, I’m Going” by Gregory Alan Isakov.
raindrops falling and disturbing still water
she smelled like fresh laundry and the newness of a morning sun
this ole heart is wearing worn and cracked work-boots
It’s the miles not the years
You fell in love with me
like a frozen statue
like a fallen hero
Mistaking love for things that never change
even our sun
will someday die
put on a sun dress
and I’ll wear flip flops
and we’ll get sunburns
while drinking beer at the beach
Internal wallpaper is how we decorate our lives
You were my star in this darkened theater
There is no poetry in Los Angeles, it’s got chicken scratch graffiti on concrete, where tattoos are mistaken for art, its train like cities that have no beginning or ending, just endless strip malls, fast-food joints—-with its smog hallowed sun. How can there be so much loneliness in these crowded places, we have become citizens of cloned hometowns, we’re generation X, or Y, or millennials,—–held together with Facebook velcro.
Nobody really knows what’s going on or what it’s all about. We’re all just running around trying to figure out what we should do, where we should go next, whom do we dare pretend to be. The clock is always ticking, all is uncertain. Before it’s all over we are desperate to discover our part in it all. Occasionally you’ll touch something and it will shock you, like the unforeseen bite of static electricity, or glimpsing a dead falling star. And for that instance your puny life takes on a speck of meaning—–one random piece of the puzzle falls into place.
Her love was like wisteria. At first it brought a subtle beauty to everything it attached itself to. But in time its clinging nature enveloped and entangled what had once been a free-swinging garden gate. Over time there was no way to gracefully enter or exist, the overgrown gate was forever intwined and frozen. It clawed over, across and on top of what once gave the garden its structure and form. In time its need to control and twist all it touched would cause the lattice to sag, to crack under the weight and finally give way. Such beauty strangles the life out all it once embellished. She was my weed strewn garden, she was everything I wanted, but the last thing I needed.
I’ve heard it said that writing is the loneliest of pursuits. It’s just you, a blank piece of paper and your thoughts. I don’t know how writers of pulp fiction feel about their craft, but I suspect that the poet is much more of a desperate soul. His ankle is tied to a huge rusty anchor and it is plunging him to the bottom of the sea. He’s headed to a place where there is no light, no sound, an inhospitable cold region. Poets aren’t depressed—-—no—they’re truth scavengers trapped in a world of forgers. If they were afflicted by depression they might find relief in a drug or in a support group. There is no clinical diagnoses or magic cure for being a poet. Please don’t be afraid, its not contagious.
My father and I share a common name—“Victor”. My dad was called Vic by his friends but I prefer Victor. As I’ve grown older I’ve seen parts of him rise to the surface in me. I was his only son and we tried to reach one another, but we were separate boats being pushed by opposing winds.
I went through a period when I was an adolescent where I’d have night terrors—-I was a sleepwalker pacing the floor in sheer terror, crying and screaming out at things no one could see but me. My dad would shake me, pat my cheek in an attempt to wake me, but I’d carry on in my neither world of monsters, demons and madness. This would go on for hours. He would ask me at breakfast if I remembered these fits. I never remembered these night events. But I’d have a faint memory of something that filled me with terror.
My dad use to say “You’ll find out someday”. And what he meant by that was, someday I’ll learn that life is cruel and bitter and hard and full of frustration and let downs. He would almost say it with a sense of glee. Like he couldn’t wait until this life beat every ounce of idealism and romanticism out of me. He’d just look at me after making this repetitive proclamation, shaking his head and giving me a snide little snicker.
I don’t know how, why or where, but somewhere along the way he surrendered his personal power. It’s always easier to give in, give up and throw your hands up and concede, but that just isn’t me. I take my name seriously, I’m a Victor, I’m born to take on all comers—bring it on—–I’ll go down swinging.
Don’t fear the inevitable, such as death. But rather, fear not taking action on the things you have the power to change, such is your life.
Be a Victor———–Do something!
Paint Me A Picture Green and Blue
If love were a color, it would be green——like the traffic light that screams GO!—like the grass that’s always greener on the other-side, green like a twenty dollar bill earned the hard way—– leaving you one blistered heart, its in that sweet scent of sappy pine needles in early June, rare like a four leaf clover, it’s in her emerald flecked eyes, like the squirt from a lime after a shot of Cuervo——–but never the color of envy—–
My love is blue, like the deepest part of the ocean, like the sound of Muddy Water’s graveled voice singing “You Shook Me”, as wide open as a cloudless Summer sky, it’s the blue that flickers at the tip of a campfire flame, it’s in the bluish colored veins showing through her ivory skinned neck, a river of life rushing from her quaking heart, her body like a little factory producing beauty, it’s hiding within a cold azure tiki drink—-it’ll kick your ass like a stiff right hook to the soul.
Time is transparent, you can’t see it as it passes through you. I remember all the little things in my wake, the big things are chapters in a book I’ve reread a thousand times. I never tire of my memories, even though they can sometimes leave me sad and nostalgic, the fleetingness of time sifting though an hour glass, grains of sand like moments slipping by—-slipping away.
I once thought that if I talked faster, lived faster that I’d get more living out of life. But no, I got it all wrong, it’s exactly the opposite, the slower I live, the more of life I absorb. I also once thought that the harder I prayed, the more god would turn my wants and desires into reality. But, God doesn’t care about my hopes and dreams, what concerns him more, is how I walk through the fire, how I carry myself—–do I cower in fear? Do I hold another fire-walker’s sweaty palm? Do I piss on the coals? Is the heat an oven to melt sandwiches of gram-cracker, marshmallow and chocolate into S’mores? How do you make your way across the coals—–doing your tip toed river dance while passing through….Cause were all just passing through…..Dancing on the sharp edged blade between chance and fate…..
Paint me a picture green and blue.
