A mash up of hip hop, jazz and R&B. Kind of like a Reggae Polka put to a Bulgarian March………I call it Jaxx……
music
You Can’t Kill A Man When He’s Already Dead
Song composed and preformed by Victor S. Uriz II
You Can’t Kill A Man, When He’s Already Dead
Pinueta’s a village in a Mexican Valley
Across the river from the Federalizes
Where the rain does not fall and that land it is dry
And the crops do not grow and the farmers they cry
The Gringos they come with their money and cars
and bargain with peasants while they smoke their cigars
Acedro says someday I’ll swim that big river
And send back the money to my mother and sisters
His father he died when he was still small
The smell of Tequila is all he recalls
When he asked his mother all she said
Is you can’t kill a man when he’s already dead
Vocal Improv
Well, all he took was the shirt on his back
The river was swift and the night it was black
The search lights they turned the land to a stage
Where the actors are strong and the performance is brave
Acedro was caught and put behind bars
The nights they pass slow when you can’t see the stars
Something it broke, deep down inside
The shame he felt he could not hide
When the news found his mother all she said
Is you can’t kill a man when he’s already dead
Vocal Improv
Fallen Angel
To hear the song open original post.
Fallen Angel By Victor Uriz-piano and vocals
You say you left home, you took a chance or two
No matter where you go, seems like hard times followed you
You try to smile and you try to believe
The way things are, are the way they should be
Fallen angel I think you know
What I’m talking about
Lying awake you try to forget
The things we want, it seems we never could get
You’re feeling it now, I’m feeling it too
What was one, is now again two
Its all the same, no matter where you go
Everybody’s lonely, they just don’t let it show
Sometimes hearts, fall apart
Love can leave you blind
Now where do you go, how do you start again
Is this the way things suppose to end
Fallen angel, I think you know
What I’m talking about
Second to Silence
Jazz is night music. Its color is a warm dark hue of indigo or a buzzing red neon light filtered through a hazy blue smoke. Its unremitting solo’s meander above the cacophony of whispers, clinking glasses, hoots, hollers and howlin’ laughter. It smells musky and sweet like jasmine perfume on a women’s heated body, its flavor the mixture of Juicy Fruit gum and nicotine on her warm damp breath in my ear. It’s mysterious and sensual, fueled by the improvisation of a moment, that moment.
Jazz knows no age, unlike rock and roll with its youthful angst and rebel demeanor. Rock reincarnates itself every generation, its thundering three chord progression rattling the walls of the established rules of convention. Its devotees are dressed in black trench coats or multi colored tie-dye. Some wear skulls and cross bones, while others sport rainbows and peace signs. Its sound is loud and angry. It’s impatient and shockingly rude, and then it will suddenly render a tender love story about first love, lost love or no love at all. The lyric’s demand a change to the inequities of this sad life, its practitioners opening their chaste new eyes and ears to the atrocities of their parents, boldly pointing out their inexcusable mistakes and follies. And that drumbeat keeps thrashing away on beats two and four of each measure.
Gospel and blues come from the same place. They speak with the voice of the soul, from worship and praise to misery and sorrow. It can be heard in the rapturous choir shout of one slain in spirit, as well as the grave moan rising from deep in the throat of a sullen bluesman or a share cropper singing from his sagging paint chipped porch to a field of cotton that refuses to grow and to all the women who’ve wronged him and that boss man who don’t give a damn how he suffers in the dust and swelters under that blistering delta sun. Its angst distilled by that wretched dominate seventh chord and ladled from the devils caldron itself, then coaxed out of a bedraggled guitar by a merciful calloused hand. It’s in the god forsaken growl of a B-3 Hammond organ, the shake and rattle of a jubilant tambourine, and everything of heaven and hell, the sacred and the profane, choked on and spat out.
Classical is a concoction of swirling violins, sawed cellos, surging brass and woodwinds with the fracas of timpani, drum and cymbal in close tow. Its fragrance blows in the breeze like the scent of pine needles on a warm July Sunday afternoon. Classical is an extension of nature, its suits, chorales and movements seem to unfold from itself, like galaxies of stars that go off into infinity, breaching the void with unimaginable beauty, stretching across eternal light years, making time and distance meaningless . And the moment is always present, all is one, and one is all. Its color is the refraction of light through a prism. I don’t know how it works, but its miraculous to behold, like God or Zen thoughts, which are no thoughts at all, its composition is only second to silence.
The Coming Frost
Fire up that stogie and come sit down here next to me by the bonfire and I’ll tell ya a-lil story. Now, pay no mind to them bullfrogs moaning down there by the river, just settle on in and have a pull off my bottle of Thunderbird. Cause mister, if you ain’t got sompin burnin deep down in your belly, then this here story might up and leave ya all goose bumpy and squinty eyed. Ya can have yourself one quick swig, but don’t get all cuddly with-er neither.
Disclaimer-this piece has a two beer minimum. Don’t attempt to listen to this spoken word project until you’ve consumed at least two or more beers. It won’t make a lick of sense to those sober, rational and/or conventional.
This piece was co-written with Robert Finley, AKA Jhango. He was my best drinking buddy, pool shooting pal, fellow night wanderer, purveyor of words and rhythms, a hell-ov-ah guitarist, and most importantly, a gifted teller of tales………we once shared a common key whole view to this crazy world…..
Yeah man, way back then we held the keys to the kingdom——-
Drunken Lullabies (Dedicated to Jack Kerouac)
Yesterday was Jack Kerouac’s birthday. I wrote this jazz composition in his honor.
I hope you dig it——swing baby, swing!
You Said You Loved Me (but I think you lied)
Soundtrack “You Said You Loved Me (but I think you lied)” by Victor Uriz
Lyric’s
In this valley where the sun burns hot
upon a levee we both once walked
you said you love me once I thought
I can’t forget the things you forgot
Now you’re nowhere around
made your future in some distant town
you said you loved me in some old letter I found
I tore it up and threw it on the ground
I remember how our bodies shook
your dress on the floor the way you looked
Smell of your perfume as your love I took
these things you did I guess I mistook
I remember how you said goodbye
your voice it quivered a tear in your eye
you kissed my lips and then you sighed
you said you loved me but I think you lied
Winter here’s the snow it flies
skies are gray, the sun has died
and from you ghost I try to hide
I kiss another lips but I still see your eye
God I hate this way I feel
god I miss the way you made me feel
they say all wounds time will heal
I hate you so much but I love you still
I remember how our bodies touched
how warm you were how soft it was
you whispered that you wanted me so much
and in these words I did trust
I remember how you said goodbye
your voice it quivered a tear in your eye
you kissed my lips and then you sighed
you said you loved me, but I think you lied
The Low Lands
When I think of my hometown, I think of that fertile Sacramento Valley, where in late August the smell of rotting peaches hangs heavy in the humid evening air. For a moment, I’m once again consumed by that helpless feeling that would rise up in me when the three rivers that snake through the low lands swelled and threaten to breach the levee’s.
They nicknamed my town the walled city, due to all the eroding levee’s that encircle the houses, churches and bars. When I close my eyes, I can smell the earthy scent of damp sediment carried by the Sacramento, Yuba and the Feather Rivers. The raindrops became puddles, the puddles became little streams and the streams a raging river. The murky water slowly rose as it threatened to crest the river banks.
Every thirty years or so, the rivers would join forces and break the levee leaving the houses ransacked and the tired old town in shambles. The tenacious currents washed away the bridges, the trees and the accumulation of belongings that make up a man’s life. And after the waters receded, the people stood expressionless on the ground where their homes had once anchored them to a sense of permanence.
Thinking back now, I’m not sure if the levee’s were there to keep the water out, or us in. To this day, when I listen to the sound of rain falling outside my window, I never underestimate the power of a single raindrop.
It was here, that I first had my heart broke, but that’s another story……
Life is the Iliad, love but a Haiku===even the slowest of readers must sooner or later turn the page…..
Deep in their roots, all flowers keep the light.
–Theodore Roethke, The Stony Garden 7 MORE WORDS
Briar Lane
February is the heart of winter, here is my Valentine to the day, to the season.
Give it a listen.
Crossed Roads
This piece is dedicated to Robert Johnson who is credited with creating the blues. Enough said, the piece will detail the story behind how he acquired this gift, or as some might say—curse. Give it a listen and tell me your thoughts on the project. Thanks
Glass Hearts
My soul has grown to frayed and warn to carry me comfortably—-pieces of me seep from its cracked walls and leak onto the floor, I’d need a soul-horn to squeeze back into that old life—time moves us on—. With corpses come flowers, freshly cut and ready to die—. For some, love becomes only a word, four letters, uttered with the sincerity of a grocery clerks “have a nice day”. What a trite and meaningless salutation, What’s my other option?—Have a bad day? In-spite of my failing words and their treacherous rabbit holes, I do still love you—I have no other option====
I think the two of us should take the day off, walk around in faded wrinkled pajamas, sitting face to face, two miss matched coffee cups, all sheepish grins and tousled bed-heads, two unclaimed valentines, no return addresses, awkwardly belonging to one another, hearts locked on spin cycle, outcasts in a world consumed by trends and fads, our kind of love never pales or goes out of style, sitting beside one another watching the sky snow, taking it all in–holding hands in silence, best friends communicating with drowsy morning eyes-
We’ll watch “Harold and Maude” and dig Cat Stevens, we can bake hot gooey brownies and wiggle our toes as we wash-em down with ice cold milk, and then take a vanilla scented bubble bath—candles flicker, bubbles burst—-we’re the lucky ones—–knowing that nothing, or no one, can take these moments from us—all else is broken glass, flashing in the sun, glimmering and shattered, inconsequential-
My music and spoken work projects are available at cdbaby.com, Artist Victor Uriz
My novel and book of prose are available at amazon.com, Author Victor Uriz
Rants, Raves and Random Thoughts 