Remembering To Feed The Cat

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Soundtrack Sparks by Coldplay.

When I was young I met a girl, she said she’d take care of me, but she couldn’t even take care of herself—— She burned Top Ramen, bled pink on my favorite button down shirt in the wash and was always telling me to get a “real job”. When my band broke up things got even worse. We stopped forgiving one another. We stopped holding hands. We’d lay in bed back to back, facing those bare opposing walls. She taught me how to say things I didn’t mean. In the darkness it’s easy to confuse how things are with the way things once were—-or, with the way things could have been. Once we realized that we were pretending, this is when the white lies lost their power to hold things together.

The stuff that drew us together——music, laughter, defying a world of clocks, money and the wanting of more—-came to be the things that pulled us apart. I went home one day and she was gone. At first I couldn’t breathe. She took her stereo and I was alone in my silence. For the first time I was on my own and alone, no family, no school, no job, just me. Life made no sense, everything was hard and cold—-I no longer had anyone to look after me. No footsteps falling in the other rooms. I suppose she took the cat, knowing that I’d forget to feed it.

Then I met a girl and I told her that I’d take care of her, but she soon discovered that I couldn’t even take care of myself. I tried to rearrange everything, but I ended up making a mess of things. I pawned my guitar and sold my keyboard. Something had ransacked my soul and smashed all the things I valued. I never wanted to take care of anyone ever again. It’s too much trouble. I taught her how to say “Fuck Off”. I laughed when she first said it to me. It sounded strange coming from her, but she was a quick study.

Love is like believing in aliens, it’s a crazy idea, but its better than feeling we’re all alone in this big universe.  Maybe love is having someone to look after—-someone to take out the garbage and mow the lawn, someone to make your supper and mend your shirts.   You can’t see love, you can only see its shadows.  For me, love is a practice, a discipline.  It requires patience, attention, and most importantly compassion.   I’m still learning these ways.  I do know this, spooning with someone is better than staring at your blank walls.

BRAVE

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Soundtrack “Jesus To A Child” by George Michael

And so we give up on dreams—-and sometimes even on love—-just one trifling morsel at a time.  We trade them away for security, so as to not appear the fool, to be accepted, to fit in.  Love is not being accepted, nor is life about fitting in—no, it’s being drenched in petrel and then set afire.

As far as anyone knows, we are only given this one life—and that’s what makes it precious—–we are all perishable—- one moment at a time—- Keep this in mind, as I implore you to ignite your dreams and to set a hopeless love ablaze. Do this before it’s to late, do this before they suffocate beneath civil manners and polite obligations. Make no mistake, nothing is forever. There is no one here to protect us, but maybe the threadbare scraps of secondhand truths. I pray for faith,—-such a sublime oxymoron.

Oh my god, where does hope go, inspiration withers with age and now we find ourselves, no longer so very brave.

Why Did The Chicken Cross The Road—–

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Soundtrack by John Prine “Dear Abby”

A belly laugh is better than an orgasm. I’m not talking about a giggle, a snicker, or a leisure guffaw—no I’m talking about a drop to your knees, fall on your back, tears streaming down your cheeks, face twisted into contortions, uncontrolled howling, floor pounding, rib splitting, muscle contracting hysteria. Although many of these physical gyrations are quiet similar to someone experiencing an orgasm, a belly laugh does not lead to accidental pregnancies, broken hearts or STD’s. If they could bottle the stuff, it would fly off the shelf like squirting flowers, exploding golf balls and handshake buzzers—–

What’s even better yet, is when you’re laughing so hard that you forget what you’re laughing about, and this causes you to laugh even harder about laughing at nothing. Or, how bout that little chortle that gets out of control at the most inappropriate time, such as a funeral, or a court appearance, or during an intimate moment. Unexpectedly, that innocent chuckle goes from being a suppressed snicker into a full blown crack up. Why fight it, go ahead and give into the pandemonium, it’s sure to break up the boredom. Come on, allow yourself to let go. Embrace the madness, the delirium and the ecstasy that comes with accepting the horror, humor and pointlessness of it all.  Meaningless laughter is nirvana, its like watching god sit on a Whoopi cushion—-a holy Whoopi cushion—-ya-ought of seen the look on his face…

The joke is on you, it’s called life. It’s in the darkness, the light, the broken, the frozen, the holy men and hooligans, grifters, grafters, carnival barkers, bonkers, brokers, bankers, swindlers, smokers, jokers, jugglers and joggers (I was going for a little Dr Sues humor there, rim shot please!).  Our only defense is to offer up a quick wit because funny is everywhere—that is, if you’re looking in the right places. To prove this point, I double dog dare ya to watch an episode of the Three Stooges, there’s just something hilarious about someone getting hit on the head with a hammer. Or, who could forget Jackie Gleason and the Honeymooners, “Bang zoom—-To the moon Alice”.

Humor is about letting go of control. It’s about going in for the kill, finding an opening and saying something everyone knows, but most are afraid to admit. Humor is based on stripping away all the crap we accept as normal and shining a light into the darkest corners of the psyche—this is where the clowns, jesters and harlequins live. Comedy comes to life when you drop all false pretenses and see things for what they are—-or for what they ain’t. Somewhere buried beneath our hidden flaws and secret doubts resides the absurdity of it all. Life is to short and uncertain to be glum and uptight. Jobs are stupid, sex is weird, marriage a joke, politics a circus, religion absurd, racism, sexism and biases make us out to be fools. We’re all just passing through—so I pray that in god’s good time all will be forgotten and forgiven—–in the meantime I choose laughter.

Life is a series of punchlines waiting to be delivered. It’s all about timing. Suddenly a door will open and you can drop that bomb that makes everyone see the insanity we are swimmin in e.g. What is the last thing a fish becomes aware of? Water. Remember this, if you have to explain a joke, then it’s not funny—if you have to justify your life, then you’re hanging around the wrong people—-”Laugh and world laughs with you, cry and”—-well you can see where I’m going with this line of reasoning. Find reasons to laugh—laugh at yourself—laugh at friends—laugh to keep from crying…..Open the door on that tiny clown car and watch all the funnyness come tumbling out.

Humor is life’s natural coping mechanism. It helps us through the loneliness, the fool heartedness and blatant futility of it all. Laughter levels the playing field, it reveals how we are all more alike than different, how we’re all fighting similar battles, fumbling towards love and companionship, bailing water from our sinking ships.

“Now, listen up ladies and germs.”

There’s many reasons to cross a road, but I’ll leave you with this one, “Why did the chicken cross the road?”

Please feel free to insert your own punch line here.

My answer—Because it’s funnier on the other side. Cluck Cluck—

And The Dog Said “No”

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Out here there’s a black and whiteness to it all.  Slow gray clouds ponder their descension and final farewell to winter’s skies. They’ve come here to die, to rain down on the brownish sand and yellow sagebrush, because becoming a part of something new and different is the way of dyeing and rebirth.  Being a part of everything, belonging to nothing—-I know how this feels. We don’t lose our way, we just move on to other things—a change in direction, a change in the relationship to other people, places and time. The sandstone cliffs look on with tired eyes, they conceal a millennium of wisdom stored in their souls.  Even mute stones have souls that stir, and if you’d of taken the time to become aquatinted with them, you too might understand these most uncommon things.

Out here, is where I come to do my thinking, to be cut out of myself, to be torn up and pasted back together——and when the pieces no longer fit, it is then I know that I’m moving on, I am letting go of my cloud-ness.  I never know what I may become out here, maybe a raven, a coyote or just alone—-With only myself watching myself, I have nothing here to hide….I can become whatever or whoever I choose—

To some I only exist in my relation to them.  A brother, a father, a friend, a sinner—-a saint?  And what am I to you?  Being cast into your statue of stone is so limiting, so confining.  These are the things I consider when I’m out here—-ya see, out here footprints turn into paw prints or vanish all together—-as if carried away on the wing of a hawk.

It’s going to be a long Friday, snowy and white, listening to my radio, drinking my coffee, carrying on conversations with myself, sharing stories with my Black Lab named Chase.

“Ya ever heard the one about the man who thought he could fly”—–And the dog said “No”.

I climb on his back as we take to the sky, letting the thermals carry us away….

Glass Hearts

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My soul has grown to frayed and warn to carry me comfortably—-pieces of me seep from its cracked walls and leak onto the floor, I’d need a soul-horn to squeeze back into that old life—time moves us on—. With corpses come flowers, freshly cut and ready to die—. For some, love becomes only a word, four letters, uttered with the sincerity of a grocery clerks “have a nice day”.  What a trite and meaningless salutation, What’s my other option?—Have a bad day?   In-spite of my failing words and their treacherous rabbit holes, I do still love you—I have no other option====

I think the two of us should take the day off, walk around in faded wrinkled pajamas, sitting face to face, two miss matched coffee cups, all sheepish grins and tousled bed-heads, two unclaimed valentines, no return addresses, awkwardly belonging to one another, hearts locked on spin cycle, outcasts in a world consumed by trends and fads, our kind of love never pales or goes out of style, sitting beside one another watching the sky snow, taking it all in–holding hands in silence, best friends communicating with drowsy morning eyes-

We’ll watch “Harold and Maude” and dig Cat Stevens, we can bake hot gooey brownies and wiggle our toes as we wash-em down with ice cold milk, and then take a vanilla scented bubble bath—candles flicker, bubbles burst—-we’re the lucky ones—–knowing that nothing, or no one, can take these moments from us—all else is broken glass, flashing in the sun, glimmering and shattered, inconsequential-

 

My music and spoken work projects are available at cdbaby.com, Artist Victor Uriz
My novel and book of prose are available at amazon.com, Author Victor Uriz

In The Flow

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(This piece is intended to be read while listening to the attached song “Lessons in Love” by Level 42)

The doctor traipses through the door wearing a somber expression.  It’s the face he saves for moments such as these. He looks to be in his late sixties with gray thinning hair, wearing a white lab jacket over a dress shirt and blue Dockers. A pair of silver rimmed bifocals are resting towards the end of his nose. He thumbs through my medical report and shakes his head in confirmation of what he’s reading. Without looking up from the final page he sighs “I’m truly sorry, but, well—-there nothing more we can do—-”.  He’s a picture of detached professionalism, he might as well be telling me that my car transmission is shot.  I squirm on the crinkly sounding paper that covers the exam table “What do you mean, there’s nothing more you can do?” He puts his hand on my shoulder and wistfully responds “I’m sorry, but I’m afraid it’s terminal.”

A fight or flight response kicks in and I feel a jolt of adrenaline shoot through my veins. I instinctively jump to my feet escaping the examining table with its protective paper that clings to my sweat glazed skin.  “You’ve gotta be kidding me.  There’s gotta be other alternatives, other options—-experimental treatments—-.”  He offers me a weary nod that expresses a sense of futility.  “I’ll change my diet, join a gym—-become a vegan?    I’ll quit the beer.  I’ll fast.  I’ll drink vitamin shakes!”  I’m not schooled in all the stages of death and dying, but I was obviously in the bargaining phase.  “I’m still young, I feel better than ever.”  The Doc rubs his wrinkled forehead and then removes his glasses “This is very common, one day you’re running a marathon and making future plans and the next, well—-” his voice trails off as he grimly shrugs his rounded shoulders.

Feeling emotionally and physically exposed, I self-consciously fuss with my hospital gown in an attempt to better cover my backside. I mumble under my breath, “You’d think with all the advances in modern medicine they’d come up with a better way to cover your ass than one of these flimsy butt curtains.  I swear, you’ll see more ass in a hospital corridor than a strip-club.”

With all the melodrama carved from a climatic scene of a soap opera (sweeping organ arpeggio not included) I blurt out “How much time do I have left?”  The old Doc straightens his starched lab coat and takes a deep breath “When it comes to these sorts of things, well—it’s hard to say.  It could be today, or you might have another fifty years.”   “What?”  I stare at the report in his hand, “Well, what does that fucking report say?”  He nods with a sheepish smirk “Oh this, it says you’re perfectly fine.  I’m sorry if I’ve confused you, or frightened you.”  Folding my arms over my chest I respond “As a matter of fact I am confused, and more pissed than frightened. What the hell are you trying to tell me?  Am I well, or am I dying?  What the—-”  In a gesture of sympathy or perhaps pity, he puts his left arm around my shoulder. “There’s a little secret us doctors keep from our patience.”  My voice is becoming louder and more frustrated “Secret, what little secret?”  “Son, we’re all terminal.  We don’t like to spread this kind of medical diagnoses around.”  He squints his eyes displaying a painful grimace,  “It’s rather—how should I say—–well it’s—–it’s bad for our professional image—–and it’s really not good for business.”

My sense of anxiety is replaced with a feeling of shock “So I have a reprieve, I’m gonna live?”  He slips his hands in the pockets of his spotless lab coat “Why no silly, like I said, you might stroll out of here today and be hit by a Mac-Truck or have a massive aneurism.  Or, you could carry on healthy and strong for another fifty years. But make no mistake about it, you are terminal and your days are numbered.  And when that day does come, there’s no magic pill or fanciful medical treatment that will extend your life another year, another day or another second.”

He glances down at his watch “Times a wastin, I gotta get down to the commissary, the Women’s’ Auxiliary is having their annual cheese ball sale—Oh my God, they are to die for—-Oops, sorry for the poor choice of words.” He gives me a hand shake and a wink.  And with that, he turns and walks out whistling a lose arrangement of “American Pie” by Don McLean.

Later that night I fall asleep and have pastel colored surreal dreams.  I’m in a strange cosmic flow between reality and fantasy. I surrender—-I no longer fight against anything—-I desire nothing.  I feel no need to assert my will, The “I” in “I am” is gone.  There’s a sudden sharpness to the existence of nonexistence, awareness of unawareness, the un-conciseness of conciseness—-I’m at a place where all things intersect—-there’s a nothingness to all that is, and an everything-ness to all that it isn’t. That gibberish is hippy-talk for saying—I feel good,—all is as it should be,—–I’m in the flow—-

I wake up the next morning feeling refreshed and born again—-I finally understand that esoteric term “born again”.  I pick up the phone and call my office.  The operator connects me to my boss “Hey John, yeah its me, I’m not gonna be able to make it in today.  No—I’m fine, in-fact I’m feeling great.  I just feel too damn good to spoil it by coming to work.”  I snicker to myself  “I guess I’m calling in well.”

There’s a long pause “Did you win the lottery or are you drunk?”  I laugh “Yeah, I feel like I’ve won the lottery and I feel drunk too, drunk on life—baby.”  John’s voice becomes more curt “Now listen here, those quarterly reports are due next week and all those spreadsheets of yours need to be updated and posted.  Cut the crap and get your ass down here—-now!”  “No I’m sorry John, but like I said, I’m calling in well.  I just feel too damn alive to be holed up in a stuffy cubicle all day staring at a computer screen—-it would bum my stone man.”

There’s another long pause.  I hear a deep sigh come over the receiver “So, you’re calling in well. Now isn’t that some crazy shit—–.   Okay, I’ve gotta hand it to you—-you’ve got balls.  And I hate to say this, but at some crazy-ass, luny level, I’m gonna give you the benefit of the doubt. Why? I don’t know. But I’ll take your lame honesty any day over someone’s phony ass hoarse voice, whimpering to me that they’re sick.  I guess ya got to do what ya gotta do.”  I think to myself, damn—this honesty is some powerful shit!

I’m not sure if I want to take a shot of Jager or a shot of wheatgrass.  I put on my baggy shorts, tank top, flip flops and head off downtown.  I catch a glimpse of my reflection in the plate-glass store  window and damn, I look pretty freakin good. I’ve got my tunes blasting from the speakers in my backpack.  I’m diggin on the song “Lessons of Love” by Level 42—I never even use to like that song, damn—where the fuck did the 80’s go?  I’m walkin in rhythm, I’m shakin it down like Ellen Degeneres (now, that’s kinda creepy too)—-but who cares, cause baby I’m movin and groovin—I start clapping my hands and laughin out loud like some sort of crazed madman.

I taste the diesel in the air and I suck it in with a smile. I cruz past kids walking home from school and they fall in behind me smiling and dancing,.  Birds chirp, horns honk, an alley cat creeps by.  A stray dog sniffs the air and then prances in rhythm behind the kids.  I drop a dollar in a homeless guys cup—he falls under our spell and joins in, dancing and snapping his fingers at the end of our urban conga-line—.  As we pass a Starbucks, a throng of patrons empty out of the patio and find their place at the tail-end of our looney parade.  Out of the corner of my eye I see John my boss staring down from his corner office window, he shakes his head and gives me a half hearted thumbs up sign——-all of life is sweet and beautiful—-I’m in it—-we’re all in the flow.

“Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain.”
Jack Kerouac

“Happiness only real when shared.” Christopher McCandless Into the Wild

 

Long May You Run

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(This piece is intended to be read while listening to the attached song “Long May You Run).

All those late nights driving in my truck, driving to your place and feeling everything—-, never questioning what the journey might bring, or for that matter, where it may lead.  Strange but true, being young allowed me to make mistakes, cause there was plenty of time to make things right again. These days, I choose my mistakes more carefully. That old song kept playing on the tape deck, “I Believe In You”—Or maybe it was “Out On the Weekend” or “Long May You Run” I kinda forget, but it was something by Neil Young.   I can still hear that sad harmonica of his wobbling in and out of tune.  It rained that whole month of January, a cold dampness permeated my clothes, the cab of my truck and it eventually soaked the roof of my soul, causing it to cave in from the weight of it all.  I needed a friend, but I hadn’t yet learned the subtleties of making a friend.   I was awkward, odd and shy, skulking about my hometown—aimlessly—-in a state of waiting, not knowing what to make of this life I’d unexplainably been pushed into.

A world of strangers meandered by me, through me—and then back out the other-side—they kept moving somewhere beyond me—without me.

The pretty girls we’re a strange and confusing breed for me to grasp. I stood on the corner leering at them, fascinated yet unsure of what to do—or how to get with one of them?  They drew me in with their sweet scent—-my eyes trailed after them as their bodies gracefully and rhythmically moved through space.  They nonchalantly carried away little pieces of me—

Before this, my dog was my only friend.  He took me just the way I was—like only homeless mongrels and fellow outcast can do—it’s an off-handed world when you’re walking through it alone.

I hurried through the school quad trying to keep a safe distance from the jocks, preppies, motor-heads and the brainy-acts.  With my head held down, I glanced over to the senior walk and there you were stretched out on the lawn, tan Dickies, white T shirt with one pocket and your hair pulled pack in a pony tail.  You were just sitting there with your head tilted back soaking up the sun on your face.  You we’re totally out of place, a fucking dandelion on the fifty yard line at a Home Coming football game—-I somehow knew we were destined to be the best of friends.

I was drawn to your indifference to all the bullshit that coats high school with pretension and posturing.  It was totally out of my character but I walked up to you and mumbled, “Hey”. You squinted and tilted your head in the other direction and nodded at me.  I’d noticed that your pants had dirt or mud all over them.  “How come you’ve got mud all over your pants?”  “I’m a potter.”  “Ya mean a stoner?”  You shook your head and gave me a grin “No, I do ceramic’s, I make pots—-And well—-yeah, I get stoned too.”  I grinned back at ya—, the Gods had sent me a friend.

We’d cruise the avenues, boulevards and backroads of our hometown in his 1962 Ford Falcon wagon.  It was a faded olive green color with peeling paint that revealed an oxidized rusty orange color beneath—she was weathered and worn—she had character and suited us well.  We drank beer in dark deserted parks, made campfires down at the river-bottoms and practiced the art of hanging-out.  We carried on long involved conversations about Kerouac, Jesus and Star Trek—Oscar Peterson, Poe and Zap Comic’s—Chinese Food, Luis and Clark, and the yet uncharted territories of love.  We were committed to our dreams—carrying on our discussions until late in the night, planning extravagant adventures to foreign lands—-the mountains we’d ski, the rivers we’d raft and the challenges we’d conquer.  We we’re on fire for everything and for everybody, talking a million miles a minute—speaking with confidence as we bolstered one another’s courage, or maybe it was just youthful bravado —-no topics were off limits—-honesty and authenticity were the dues paid for membership in our exclusive club.  Our talks always led back-around to that same enigmatic topic—Girls, those illusive creatures that mesmerized, mystified and mortified us—-some things never change.

We fancied ourselves Sal Paradise and Dean Moriarty from “On The Road” but by the reactions of the girls we tried to impress, we were perceived more as Beavis and Butt Head—-, to be mocked as Thelma and Louise would have been an improvement.

We had our deep philosophical talks but it was our humor that sustained us, we laughed at ourselves and the state of the world, we were immortal, all things were fixable—-time was on our side (A Rolling Stones reference)…

Some things change and some things stay the same.  In many ways I am still that awkward, odd and shy dude from years past—-a pariah to the mainstream. But these days I’m comfortable in my own skin,—beneath my chipped paint and fading color beats a youthful heart–an idealist to some, a fool to most—-but I like it that way—Juck-em—if they can’t take a foke—hahaha!

How are you my old friend, my potter and fellow romantic?  I remember it all fondly, as if it were just yesterday—and for a moment I’m ridding shotgun as you drive us down some dirt-road out in the boondocks, we’ve got a six pack of beer and much to discuss—-Neil’s voice sings his high pitched lonesome song in the background—-and once again, you bring a grin to my face.

Dedicated to my life long brother, Norman.

The Language of Love

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What’s success—What is a life well spent?  When does a dream become so laden by time that it’s easier to set it aside, to just quietly lay it down, to allow it to cease to exist—-to concede that it’s no longer a part of who you are.  Is this how we begin to lose our way, to forget who we are—or worse yet, give up on what we were meant to be—

I mostly remember her smile, her laugh, the way she walked next to me, excitedly talking as we made our way across the best part of the morning, moving together, stride for stride, word for word—-heart to heart—-afire with life, fueled by the strongest drug of all—that unexplainable euphoric feeling that comes with knowing you are understood.  Love is an elixir that combines understanding with compassion—where there is dharma, there is no separateness.

At night, we’d lay in our bed talking, staring up into the darkness, and when it got real late and the room was totally cloaked in blackness, it was here—yes, here is where the magic would take hold.  We weren’t speaking to one another, but instead, we were entering each others thoughts, inhabiting one another’s souls, sharing ideas and feeling telepathically, in a silent confessional—-the conversations were strung together more by the purity of emotion than the imperfection of words.  Just like a tightly written poem or a an austere prayer, the words cracked open, and from their insides oozed our soul goo.   I know this must sound funny, because it is strange—but oh so beautiful and rare—-all things of beauty are fragile and temporary—but we didn’t know this at the time, so we carried on until another jealous sun rose.

I’ve forgotten the words to that old song we use to sing—I’d find myself half humming and half singing it in a crippled attempt to get through to its end, or maybe it was in the hopes that I might resurrect something left behind within its faded melody—I’ve done my best to stay true to its tune , but the words have grown faint.

I’d call, but numbers change, email accounts close—-but mostly, I keep at a safe distance, because some memories are like impressionistic paintings—-where you can see what you choose, while overlooking all the tiny flaws and betrayed truths.

Sometimes I force myself to meditate on such things, and I will my thoughts out into a porous sky, focusing all my energy into a small shiny ball.  If ever you awake in the middle of a dark night and feel a power moving through your veins, crawling under your skin, breathing on your neck, don’t open your eyes—-don’t speak, don’t even move—-just be still, and in that moment feel yourself open up—

to the language of love—-

the teller of tales

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a crazed woman cut my heart out of my chest, she then carelessly disassembled it and put it back together all wrong, it was slippery with blood and hard to handle, so she shoved it back inside me where the organ for caring and giving a shit use to be…..these days I compulsively check my pulse in search of a rhythm, but all I feel is an occasional spastic fluttering within my chest, like a bird beating its wings against hurricane winds—and when it gets dark, it stops all together—

come close and put your ear against my chest—-now be still and listen as I tell you how it is for me, at night those blues come stalking me, they peer through my blinds like some nefarious wide-eyed peeping Tom, leaving foggy predatory breath on the window pane——–the bleakness of it all tramples across the nothingness of another specter ridden midnight—I can feel my heart go still, like an unworn love left hanging in someones dusty closet, an addiction traded against a corrupted souls collateral, broken people warehoused like damaged goods, young kids with no fire in their eyes, an old guy going in circles on the metro for an as-semblance of company, the scent of morning rain on dirty pavement, damp leaves smoldering in the drizzle, the stench of alley piss—time is blurring by like a whirl-wind whooshing past my car window on a Sunday drive to nowhere in-particular—-once again I’m tired of me and how I get things all twisted up, I’m left staring into the futility of a gray weather beaten morning, realizing I’m no longer running from something, nor running to something—-I’m slowly being crushed under the ache that comes with knowing that there’s got to be something better than this—-someplace—–somewhere—-cause this life is way to long to be miserable and far to short to be boring—it’s time I set that lil caged bird free—

say something, I’m giving up on you—-

there’s too much pain in the world to believe I’m immune to it, or can hide from it—–or selfishly fear that I’m the only one being consumed by it—that would be a righteous sadness, the kind of sadness that beckons the lugubrious to replay a heartbreak love-song over and over again.  Real sadness has no soundtrack, no words, no explanation—-it’s like tree sap that mysteriously shows up on your hands and can’t be washed off—-

people always ask me the same question “Was that story you told true or made-up?”   To be perfectly honest, I’m not sure anymore.  Most of the stuff I once thought was true, ends up being a lie or an illusion, and what I thought was fiction (made-up) is just an alternative version of truth or reality that I’ve failed to grasp.  I’ve come to believe that what’s true, and what’s made up, is a predilection reserved for the teller of tales.

but I do know this, one day that little bird trapped inside my chest will be set free—-

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