Soundtrack, These Days by Jackson Browne, go to “original post” press play and listen while reading—
Don’t ever let anyone tell you how to write poetry, not a teacher, not a book, a professor, a famous poet or some hip instructional manual touting “Poetry Made Easy”. Poetry is anything but easy, it’s floating to the surface in a bubble while praying that the pressure from the outside doesn’t become stronger than the pressure from within, it’s a tenuous balance——-in that stillness you’ll hear every creak and groan as you strain to hold yourself together….
There’s things deep down there that are bigger and wilder than you could ever possibly imagine. Its the stuff your conscious mind keeps chained and shackled and out of the reach of that prison we’ve come to accept as reality. There are frightening things down there—-bizarre things, sea monsters, demons, the eight armed Kracken reaching out for you, mountains of madness, deserts of despair, volcanoes spewing red rivers of woe. You may have convinced yourself that you’re in control, but mister let me tell ya, those reins are loose and easily snapped.
I dare ya to hold your breath and dive down into that murky deep. No one can stay down there for long—-some become entangled, confuse up with down—— they lose their way, they panic with eyes bulging, lungs bursting, blood streaming from ringing ears—- solitarily drowning in a sea of conceit. Down there you’ll come to know things that the faux world above could never teach you. But there’s a high price for trespassing into those depths——— “Enter at your own risk, Dangerous rip tides, No life guard on duty”.
Be advised: if ya poke around down there long enough you may bump into who you thought you were, maybe even a god or two—-and if you’r lucky, a kind familiar voice….These things that germinate in the dark are ironically impossible to see in the light—-it’s like the dark matter that comprises the majority of our universe—-these things are difficult to understand for simple creatures such as us, who are accustomed to composing reality from our puny five senses.
Some are contented to sit and stare at their reflection on the surface. But, if you’re a poet, then you need to take that perilous plunge. Leave behind your holy books, shots of whiskey, rosary, zen bells, mantras and slide rules, they have no power down here, in fact they’ll only camouflage your destiny.
Don’t let anyone tell you how to write poetry. Everyone has their own unique journey, you must find your own Dharma, your own Tao. The funny thing is—-as soon as you stop trying, it will flow through you——. Be still in that tiny bubble of yours, take the road less traveled, refuse to go gently into that dark night——find what you love and let it kill you, and burn, burn, burn, like a fabulous yellow roman candle that explodes like spiders across the stars———Pop*******
When I was young I met a girl, she said she’d take care of me, but she couldn’t even take care of herself—— She burned Top Ramen, bled pink on my favorite button down shirt in the wash and was always telling me to get a “real job”. When my band broke up things got even worse. We stopped forgiving one another. We stopped holding hands. We’d lay in bed back to back, facing those bare opposing walls. She taught me how to say things I didn’t mean. In the darkness it’s easy to confuse how things are with the way things once were—-or, with the way things could have been. Once we realized that we were pretending, this is when the white lies lost their power to hold things together.
The stuff that drew us together——music, laughter, defying a world of clocks, money and the wanting of more—-came to be the things that pulled us apart. I went home one day and she was gone. At first I couldn’t breathe. She took her stereo and I was alone in my silence. For the first time I was on my own and alone, no family, no school, no job, just me. Life made no sense, everything was hard and cold—-I no longer had anyone to look after me. No footsteps falling in the other rooms. I suppose she took the cat, knowing that I’d forget to feed it.
Then I met a girl and I told her that I’d take care of her, but she soon discovered that I couldn’t even take care of myself. I tried to rearrange everything, but I ended up making a mess of things. I pawned my guitar and sold my keyboard. Something had ransacked my soul and smashed all the things I valued. I never wanted to take care of anyone ever again. It’s too much trouble. I taught her how to say “Fuck Off”. I laughed when she first said it to me. It sounded strange coming from her, but she was a quick study.
Love is like believing in aliens, it’s a crazy idea, but its better than feeling we’re all alone in this big universe. Maybe love is having someone to look after—-someone to take out the garbage and mow the lawn, someone to make your supper and mend your shirts. You can’t see love, you can only see its shadows. For me, love is a practice, a discipline. It requires patience, attention, and most importantly compassion. I’m still learning these ways. I do know this, spooning with someone is better than staring at your blank walls.
And so we give up on dreams—-and sometimes even on love—-just one trifling morsel at a time. We trade them away for security, so as to not appear the fool, to be accepted, to fit in. Love is not being accepted, nor is life about fitting in—no, it’s being drenched in petrel and then set afire.
As far as anyone knows, we are only given this one life—and that’s what makes it precious—–we are all perishable—- one moment at a time—- Keep this in mind, as I implore you to ignite your dreams and to set a hopeless love ablaze. Do this before it’s to late, do this before they suffocate beneath civil manners and polite obligations. Make no mistake, nothing is forever. There is no one here to protect us, but maybe the threadbare scraps of secondhand truths. I pray for faith,—-such a sublime oxymoron.
Oh my god, where does hope go, inspiration withers with age and now we find ourselves, no longer so very brave.
My soul has grown to frayed and warn to carry me comfortably—-pieces of me seep from its cracked walls and leak onto the floor, I’d need a soul-horn to squeeze back into that old life—time moves us on—. With corpses come flowers, freshly cut and ready to die—. For some, love becomes only a word, four letters, uttered with the sincerity of a grocery clerks “have a nice day”. What a trite and meaningless salutation, What’s my other option?—Have a bad day? In-spite of my failing words and their treacherous rabbit holes, I do still love you—I have no other option====
I think the two of us should take the day off, walk around in faded wrinkled pajamas, sitting face to face, two miss matched coffee cups, all sheepish grins and tousled bed-heads, two unclaimed valentines, no return addresses, awkwardly belonging to one another, hearts locked on spin cycle, outcasts in a world consumed by trends and fads, our kind of love never pales or goes out of style, sitting beside one another watching the sky snow, taking it all in–holding hands in silence, best friends communicating with drowsy morning eyes-
We’ll watch “Harold and Maude” and dig Cat Stevens, we can bake hot gooey brownies and wiggle our toes as we wash-em down with ice cold milk, and then take a vanilla scented bubble bath—candles flicker, bubbles burst—-we’re the lucky ones—–knowing that nothing, or no one, can take these moments from us—all else is broken glass, flashing in the sun, glimmering and shattered, inconsequential-
My music and spoken work projects are available at cdbaby.com, Artist Victor Uriz My novel and book of prose are available at amazon.com, Author Victor Uriz
(This piece is intended to be read while listening to the attached song “Lessons in Love” by Level 42)
The doctor traipses through the door wearing a somber expression. It’s the face he saves for moments such as these. He looks to be in his late sixties with gray thinning hair, wearing a white lab jacket over a dress shirt and blue Dockers. A pair of silver rimmed bifocals are resting towards the end of his nose. He thumbs through my medical report and shakes his head in confirmation of what he’s reading. Without looking up from the final page he sighs “I’m truly sorry, but, well—-there nothing more we can do—-”. He’s a picture of detached professionalism, he might as well be telling me that my car transmission is shot. I squirm on the crinkly sounding paper that covers the exam table “What do you mean, there’s nothing more you can do?” He puts his hand on my shoulder and wistfully responds “I’m sorry, but I’m afraid it’s terminal.”
A fight or flight response kicks in and I feel a jolt of adrenaline shoot through my veins. I instinctively jump to my feet escaping the examining table with its protective paper that clings to my sweat glazed skin. “You’ve gotta be kidding me. There’s gotta be other alternatives, other options—-experimental treatments—-.” He offers me a weary nod that expresses a sense of futility. “I’ll change my diet, join a gym—-become a vegan? I’ll quit the beer. I’ll fast. I’ll drink vitamin shakes!” I’m not schooled in all the stages of death and dying, but I was obviously in the bargaining phase. “I’m still young, I feel better than ever.” The Doc rubs his wrinkled forehead and then removes his glasses “This is very common, one day you’re running a marathon and making future plans and the next, well—-” his voice trails off as he grimly shrugs his rounded shoulders.
Feeling emotionally and physically exposed, I self-consciously fuss with my hospital gown in an attempt to better cover my backside. I mumble under my breath, “You’d think with all the advances in modern medicine they’d come up with a better way to cover your ass than one of these flimsy butt curtains. I swear, you’ll see more ass in a hospital corridor than a strip-club.”
With all the melodrama carved from a climatic scene of a soap opera (sweeping organ arpeggio not included) I blurt out “How much time do I have left?” The old Doc straightens his starched lab coat and takes a deep breath “When it comes to these sorts of things, well—it’s hard to say. It could be today, or you might have another fifty years.” “What?” I stare at the report in his hand, “Well, what does that fucking report say?” He nods with a sheepish smirk “Oh this, it says you’re perfectly fine. I’m sorry if I’ve confused you, or frightened you.” Folding my arms over my chest I respond “As a matter of fact I am confused, and more pissed than frightened. What the hell are you trying to tell me? Am I well, or am I dying? What the—-” In a gesture of sympathy or perhaps pity, he puts his left arm around my shoulder. “There’s a little secret us doctors keep from our patience.” My voice is becoming louder and more frustrated “Secret, what little secret?” “Son, we’re all terminal. We don’t like to spread this kind of medical diagnoses around.” He squints his eyes displaying a painful grimace, “It’s rather—how should I say—–well it’s—–it’s bad for our professional image—–and it’s really not good for business.”
My sense of anxiety is replaced with a feeling of shock “So I have a reprieve, I’m gonna live?” He slips his hands in the pockets of his spotless lab coat “Why no silly, like I said, you might stroll out of here today and be hit by a Mac-Truck or have a massive aneurism. Or, you could carry on healthy and strong for another fifty years. But make no mistake about it, you are terminal and your days are numbered. And when that day does come, there’s no magic pill or fanciful medical treatment that will extend your life another year, another day or another second.”
He glances down at his watch “Times a wastin, I gotta get down to the commissary, the Women’s’ Auxiliary is having their annual cheese ball sale—Oh my God, they are to die for—-Oops, sorry for the poor choice of words.” He gives me a hand shake and a wink. And with that, he turns and walks out whistling a lose arrangement of “American Pie” by Don McLean.
Later that night I fall asleep and have pastel colored surreal dreams. I’m in a strange cosmic flow between reality and fantasy. I surrender—-I no longer fight against anything—-I desire nothing. I feel no need to assert my will, The “I” in “I am” is gone. There’s a sudden sharpness to the existence of nonexistence, awareness of unawareness, the un-conciseness of conciseness—-I’m at a place where all things intersect—-there’s a nothingness toall that is, and an everything-ness to all that it isn’t. That gibberish is hippy-talk for saying—I feel good,—all is as it should be,—–I’m in the flow—-
I wake up the next morning feeling refreshed and born again—-I finally understand that esoteric term “born again”. I pick up the phone and call my office. The operator connects me to my boss “Hey John, yeah its me, I’m not gonna be able to make it in today. No—I’m fine, in-fact I’m feeling great. I just feel too damn good to spoil it by coming to work.” I snicker to myself “I guess I’m calling in well.”
There’s a long pause “Did you win the lottery or are you drunk?” I laugh “Yeah, I feel like I’ve won the lottery and I feel drunk too, drunk on life—baby.” John’s voice becomes more curt “Now listen here, those quarterly reports are due next week and all those spreadsheets of yours need to be updated and posted. Cut the crap and get your ass down here—-now!” “No I’m sorry John, but like I said, I’m calling in well. I just feel too damn alive to be holed up in a stuffy cubicle all day staring at a computer screen—-it would bum my stone man.”
There’s another long pause. I hear a deep sigh come over the receiver “So, you’re calling in well. Now isn’t that some crazy shit—–. Okay, I’ve gotta hand it to you—-you’ve got balls. And I hate to say this, but at some crazy-ass, luny level, I’m gonna give you the benefit of the doubt. Why? I don’t know. But I’ll take your lame honesty any day over someone’s phony ass hoarse voice, whimpering to me that they’re sick. I guess ya got to do what ya gotta do.” I think to myself, damn—this honesty is some powerful shit!
I’m not sure if I want to take a shot of Jager or a shot of wheatgrass. I put on my baggy shorts, tank top, flip flops and head off downtown. I catch a glimpse of my reflection in the plate-glass store window and damn, I look pretty freakin good. I’ve got my tunes blasting from the speakers in my backpack. I’m diggin on the song “Lessons of Love” by Level 42—I never even use to like that song, damn—where the fuck did the 80’s go? I’m walkin in rhythm, I’m shakin it down like Ellen Degeneres (now, that’s kinda creepy too)—-but who cares, cause baby I’m movin and groovin—I start clapping my hands and laughin out loud like some sort of crazed madman.
I taste the diesel in the air and I suck it in with a smile. I cruz past kids walking home from school and they fall in behind me smiling and dancing,. Birds chirp, horns honk, an alley cat creeps by. A stray dog sniffs the air and then prances in rhythm behind the kids. I drop a dollar in a homeless guys cup—he falls under our spell and joins in, dancing and snapping his fingers at the end of our urban conga-line—. As we pass a Starbucks, a throng of patrons empty out of the patio and find their place at the tail-end of our looney parade. Out of the corner of my eye I see John my boss staring down from his corner office window, he shakes his head and gives me a half hearted thumbs up sign——-all of life is sweet and beautiful—-I’m in it—-we’re all in the flow.
“Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain.” Jack Kerouac
(This piece is intended to be read while listening to the attached song “Long May You Run).
All those late nights driving in my truck, driving to your place and feeling everything—-, never questioning what the journey might bring, or for that matter, where it may lead. Strange but true, being young allowed me to make mistakes, cause there was plenty of time to make things right again. These days, I choose my mistakes more carefully. That old song kept playing on the tape deck, “I Believe In You”—Or maybe it was “Out On the Weekend” or “Long May You Run” I kinda forget, but it was something by Neil Young. I can still hear that sad harmonica of his wobbling in and out of tune. It rained that whole month of January, a cold dampness permeated my clothes, the cab of my truck and it eventually soaked the roof of my soul, causing it to cave in from the weight of it all. I needed a friend, but I hadn’t yet learned the subtleties of making a friend. I was awkward, odd and shy, skulking about my hometown—aimlessly—-in a state of waiting, not knowing what to make of this life I’d unexplainably been pushed into.
A world of strangers meandered by me, through me—and then back out the other-side—they kept moving somewhere beyond me—without me.
The pretty girls we’re a strange and confusing breed for me to grasp. I stood on the corner leering at them, fascinated yet unsure of what to do—or how to get with one of them? They drew me in with their sweet scent—-my eyes trailed after them as their bodies gracefully and rhythmically moved through space. They nonchalantly carried away little pieces of me—
Before this, my dog was my only friend. He took me just the way I was—like only homeless mongrels and fellow outcast can do—it’s an off-handed world when you’re walking through it alone.
I hurried through the school quad trying to keep a safe distance from the jocks, preppies, motor-heads and the brainy-acts. With my head held down, I glanced over to the senior walk and there you were stretched out on the lawn, tan Dickies, white T shirt with one pocket and your hair pulled pack in a pony tail. You were just sitting there with your head tilted back soaking up the sun on your face. You we’re totally out of place, a fucking dandelion on the fifty yard line at a Home Coming football game—-I somehow knew we were destined to be the best of friends.
I was drawn to your indifference to all the bullshit that coats high school with pretension and posturing. It was totally out of my character but I walked up to you and mumbled, “Hey”. You squinted and tilted your head in the other direction and nodded at me. I’d noticed that your pants had dirt or mud all over them. “How come you’ve got mud all over your pants?” “I’m a potter.” “Ya mean a stoner?” You shook your head and gave me a grin “No, I do ceramic’s, I make pots—-And well—-yeah, I get stoned too.” I grinned back at ya—, the Gods had sent me a friend.
We’d cruise the avenues, boulevards and backroads of our hometown in his 1962 Ford Falcon wagon. It was a faded olive green color with peeling paint that revealed an oxidized rusty orange color beneath—she was weathered and worn—she had character and suited us well. We drank beer in dark deserted parks, made campfires down at the river-bottoms and practiced the art of hanging-out. We carried on long involved conversations about Kerouac, Jesus and Star Trek—Oscar Peterson, Poe and Zap Comic’s—Chinese Food, Luis and Clark, and the yet uncharted territories of love. We were committed to our dreams—carrying on our discussions until late in the night, planning extravagant adventures to foreign lands—-the mountains we’d ski, the rivers we’d raft and the challenges we’d conquer. We we’re on fire for everything and for everybody, talking a million miles a minute—speaking with confidence as we bolstered one another’s courage, or maybe it was just youthful bravado —-no topics were off limits—-honesty and authenticity were the dues paid for membership in our exclusive club. Our talks always led back-around to that same enigmatic topic—Girls, those illusive creatures that mesmerized, mystified and mortified us—-some things never change.
We fancied ourselves Sal Paradise and Dean Moriarty from “On The Road” but by the reactions of the girls we tried to impress, we were perceived more as Beavis and Butt Head—-, to be mocked as Thelma and Louise would have been an improvement.
We had our deep philosophical talks but it was our humor that sustained us, we laughed at ourselves and the state of the world, we were immortal, all things were fixable—-time was on our side (A Rolling Stones reference)…
Some things change and some things stay the same. In many ways I am still that awkward, odd and shy dude from years past—-a pariah to the mainstream. But these days I’m comfortable in my own skin,—beneath my chipped paint and fading color beats a youthful heart–an idealist to some, a fool to most—-but I like it that way—Juck-em—if they can’t take a foke—hahaha!
How are you my old friend, my potter and fellow romantic? I remember it all fondly, as if it were just yesterday—and for a moment I’m ridding shotgun as you drive us down some dirt-road out in the boondocks, we’ve got a six pack of beer and much to discuss—-Neil’s voice sings his high pitched lonesome song in the background—-and once again, you bring a grin to my face.
From a God’s eye view it all must seem so silly. Lines drawn separating one person or place from another, borders, boundaries, the yours and mine of desire and regret—the willing, the wasted, the reluctant and those forgetting that we all end up old, ugly and woeful, but hey, ugly ain’t so bad once you accept that at best we’re all sideshow attractions in a traveling freak-show in this two-bit carnival life. Oddballs, freaks and outcasts have always been my companions of choice—-so if you’re still my pal, buddy or sweetheart, then yeah, I’m talking bout you buster. We all have our own personal measure of beauty, but baby you give me that sweetest ache deep in my chest, just like that feeling I get when I awake to a clear snow-covered mountain morning. You make growing old not such a bad prospect when I know I have you as my mirrored companion—-you pump collagen into this weary heart of mine. I’ll always follow you down.
Everybody’s scuttling about to secure their share of food and shelter, maybe even love scraps or its ghostly shadow locked within ones own pleading soul. Down here, it’s a macro playhouse of clogged freeways, early morning skyscrapers blooming above the yellowish haze, the broken, the woebegone, those lucky few with the taste of a new kiss still on their damp lips, old creepy guys in shiny new cars, commuters waiting on meaningless buses taking them to meaningless jobs, lonely guys on desolate Nevada desert roads seeking something just over that next ridge, plain Jane looking girls clutching romance novels with their ragged dog-eared dreams, a dog pissing on someones perfectly manicured rose garden, mountain thunderstorms, salty sea scented beaches, coconut smelling sun tanned bitches, grimy unshaven bums on skid row, blue birds on telephone wires joyfully singing above a gated community, breached levee’s drowning someones hard-earned promise land, someones first breath, another’s last—-uh-hum? Mister, most are gonna lie to ya, but not me—no sir!
All the wise ones, like the giggling Dali Lama, chubby Buddha, rabble rousing Jesus wear that same smug lil grin. They’re like a pack of good ole boys sharing some private inside joke. They know the jokes on us as we do our twisted dance with Maya. I feel my time slipping away, what will you do with your time here. I do know this, that regardless of my foolish carrying on’s, I’m a lucky guy, to be chosen, to be alive, to be wandering this blue spinning sphere—-a temporary oasis for those trapped by space and time, a far-flung and forgotten Eden set against a backdrop of flickering lights and mumbled prayers. I try not to forget this within each dissolving moment. I stare up at the night sky and I can’t tell the satellites from twinkling stars, but they’re all oh so pretty—and I wonder what becomes of my satellite wishes?
I like marching bands, banjo’s and reggae. You can’t have the blues and listen to any of those musical styles. Give me a marching band any-day, all snap, shine and precision, with a thundering drum cadence rumbling and tickling against the walls of my belly. At the head of it all stands the drum-major in his crisp white uniform with a red stripe running down the seam of each of his pant legs, he blows his whistle and all that sunshiny brass flips into playing position. Everyone is wearing tall red hats with white feather plums—-black leather oxfords covered with white spats step out in unison. It’s as if the lines of musicians are a single living entity moving as one. The sidewalks are lined with little children sitting on their fathers shoulders as moms sit in lounge chairs smiling behind sunglasses. Teenagers stop their horsing around to stop and stare in amazement as the big tubas trail behind with their foghorn “um-pa’s”. A parade ain’t nothin but a fancy walk put on display for common people like you and me. I feel the sun on my face—I feel myself being drawn to you——–I wonder what you think of me—we should’ve known better—-
I ain’t waiting for life to happen to me, or for other people to be interesting, cause that can be one long fucking haul, too many people are emotional sloths. I ain’t waiting for someone to love me either. I’m gonna love as many people as I can, cause it’ll help me sort out the hungry raw ones from the heart numbed. I’ll know when I find another to love, cause I won’t have to put up with all the extraneous bullshit that comes with loving most people—-most people don’t want love, they want someone that they can put in their little box and carry around with them so that they don’t feel so lonely. Its the people who don’t know who they are or what to do with themselves that are the ones who are the most boring, self-absorbed and needy. They exchange romance for stability and replace adventure with routine, but as far as I’m concerned, life without danger is like love without letting go of yourself and everything that goes along with that—–strange but true, ya gotta to give it all away to find what’s left behind in the ashes, cause that’s where the soul resides, and burns——
They’ll open that little box now and again to see that you’re still in there, never changing, always waiting to support them, when what they really need, is to be told that they stick in your heart like a weathered barbed wire fence post.
They’ll demand that you condone their little version of the world and they’ll expect you to inhabit their soap opera fantasies like a wind-up soldier in some smarmy Harlequin Romance plot—drama exaggerated, a lifetime fabricated out of strategic gamesmanship—-all played out in some empty, echoey theater—–as for me, I prefer silence to bullshit.
Ya see, I got my own world, a place you couldn’t even imagine, cause you never liked parades, reggae or banjo music. If you haven’t already guessed it, I don’t believe in soul-mates. As far as I’m concerned, if you can get a good ten year stretch out of a relationship without becoming the perpetrator or the victim of a homicide, then you’re doing pretty damn well. I’m a realistic romantic (realomanitic) I know that love is real and that love is precious, I just don’t particularly believe it is eternal—-all beauty is evanescent—-fleeting— Enjoy it when you find it—— and partake in it for as long as it lasts—–cause brother, once its gone, its dead and gone.
People spend way to much time doing things they don’t want to do with people they don’t like. They carry on saying a bunch of useless bullshit that doesn’t amount to anything and then carelessly let opportunities slip by without saying what they really feel. Lots of people are love stingy or too scared to reveal themselves to others, not me, I’m fucking odd-tistic, I always say what I feel, its a great filtering system, if I piss you off, great, I won’t waste my time on you in the future.
Most people want to be unique, but to be unique you have to be different, and to be different you have to be willing to appear stupid, strange or weird—being yourself, being authentic, this takes huge courage. We’ll seek one another out, the ones who mumble nervous prayers, wringing out sweaty palms, the ones who have suffered and been dangled deep into the dark well of sorrow, hearing the echoes of life’s sad songs, to know such things, to understand such things—–these now, are the only ones for me, the artists, the poets—the fools—-
Much of the time we’re anonymous extra’s passing through in the background of someone else’s unspooling life. But tonight, I’m out front and in your life, the spark behind that smile, and I love the way your eyes follow me, like they’re the lens to some old black and white cinematic love story. And everything you say is interesting and connects with me. I want it to always be this way, cause I’m weird and intense like that—–and only you know how I always go one step to far—-and I wonder—-are you willing, or more importantly, are you still capable of plumbing those mysteries beyond the far reaches?
Don’t fool yourself, someday we’ll all be long gone with only the foggy memories of others tying us haphazardly together. But if you remember me and I remember you, then we will be eternally bound together, living in that frozen abyss of yesterdays—
If I were to play an instrument in a marching band, I’d choose the trombone. Its an unpretentious goofy looking instrument that doesn’t have a lot of buttons or holes that my fingers need to fiddle around with. I’d march right down the middle of the street with the rest of my band members, sliding that long plunger looking thing back and forth until I find a note that fits just right. I’m out of step with the rest of the band, blowing on that brass contraption as if it were hot carmel drizzled over those swollen lips of yours. And if we were still in love, and if you were up to an afternoon of madness with me, I’d have you march right beside me playing a big bass drum.
Its a warm Sunday evening, a breeze carries the scent of corn dogs, cotton candy and all things deep fried and sugary. Hand in hand, like awe struck children, we take that slow neoned stroll down the midway at the county fair. At the end of the days festivities the streets are swept of its confetti and we sit together in a big deserted bar and sip on our beers, bragging about how we made such beautiful music. We drink Pabst Blue Ribbon all night long cause its the cheapest and I won’t have to stop ordering us beers because I’ve run out of money, and besides, I don’t want this night to never ever end, or at least not until you dream back into me.
“The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.”
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